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DTSTART;TZID=America/New_York:20181119T180000
DTEND;TZID=America/New_York:20181119T210000
DTSTAMP:20181116T221406Z
CREATED:20181116T221406Z
LAST-MODIFIED:20181116T221406Z
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SUMMARY:Latin America's 1968 - Marta Minuj´ín
DESCRIPTION:As part of the Latin America’s 1968 Colloquium series\, New York University’s Center for Latin American and Caribbean Studies (CLACS)\, Department of Spanish and Portuguese\, The Hemisphiric Institute of Performance and Politics\, and The Institute of Fine Arts (IFA)\, are proud to present a conversation with internationally acclaimed Argentine performance and conceptual artist Marta Minujín and IFA’s Deputy Director Edward Sullivan. \nThis event is free and open to the public. Ticket holders receive priority seating. \nAbout the speakers: \nMarta Minujín is an internationally acclaimed Argentine performance and conceptual artist whose career has helped define the role of participation\, performance\, and media in contemporary visual art. Minujín created her first “ephemeral” works in the 1960s in Paris and New York\, where she and became an innovator of pop art\, happenings\, soft sculpture\, and early video. Her celebrated La Menesunda (1965) created a sequence of 16 multi-sensory “situations” or environments for spectators to traverse; these included a beauty parlor\, a couple in bed\, and a shower of a confetti in an octagonal mirror chamber. Her 1967 Minuphone created an interactive “psychedelic” telephone booth in which voice triggered sensory changes in light\, image\, and sound. In May 1968—at the height of the cultural and political ferment of global 1968—Minujín hosted a series of soirèes/happenings with luminaries of fashion\, art\, finance\, and politics at Manhattan’s Center for Inter-American Relations (now Americas Society); the documentation became the basis of an immersive film installation\, known as Minucode\, which advanced a subtle critique of the role of “cultural” diplomacy needed to carry out the US cold war in Latin America. While in New York she participated in activities at Andy Warhol’s Factory\, and in the 1980s\, created a performance in which she offered Warhol a corn on the cob as a way of paying off Argentina’s foreign debt. She is perhaps best known for the 1983 piece The Parthenon of Books\, a large-scale replica of a Greek parthenon built on Buenos Aires’s main avenue\, comprised of 30\,000 books banned by the military regime during Argentina’s “Dirty War\,” including works by Marx\, Freud\, and Foucault. Spectators were then invited to dismantle work. She has continued to create works that combine ephemeral materials with monumental scale\, including Tower of Babel (2011)\, Agora of Peace (2013)\, and Hopscotch Art (2014). She lives and works in Buenos Aires. \nEdward J. Sullivan is the Helen Gould Sheppard Professor in the History of Art and the Deputy Director of the Institute of Fine Arts New York University. He has developed extensive research and curated several shows on the arts and visual cultures of the Americas from a transnational perspective\, with a particular concentration in Mexico\, Cuba\, Brazil\, Argentina\, Puerto Rico\, and Uruguay. Edward is the author of From San Juan to Paris and Back: Francisco Oller and Caribbean Art in the Era of Impressionism\, published by Yale University Press in 2014\, and The Language of Objects in the Art of the Americas\, published also by Yale in 2007\, among many other books and catalogs. \nSullivan’s latest book is entitled “Making the Americas Modern. Hemispheric Art 1910-1960” published this past March. He is currently curating a major exhibition of the Brazilian garden architect and painter Roberto Burle-Marx that opens in June next year at the New York Botanical Garden. His next book project concerns the relationships between artists and choreographers in the US and Latin America in the mid twentieth century. \nAbout the series: \nLatin America’s 1968; Curated by Jill Lane & Dylon Robbins. \nIn Latin America\, the year 1968 marked a turning point in the social\, political\, and cultural transformations that had been unfolding in the wide wake of the Cuban Revolution of 1959. For Latin America\, as for the rest of the world\, the sixties were shaped by geopolitics of the Cold War\, and of anti-colonial struggles across the globe. Yet they are most remembered by those who lived them as a time when ordinary people felt\, like never before and perhaps never after\, that they could change the course of history: millions of youth in student movements\, advocates for indigenous rights\, workers\, campesinos\, educators\, intellectuals\, and artists\, long with guerillas and other armed insurgents\, were self-aware in world-historical projects of radical social\, political\, economic\, and cultural change. In these years\, the personal became the political\, politics became theatrical\, theatre became a weapon\, and the lines between self\, art\, and politics were forever redrawn. To mark the 50th anniversary of this momentous year\, the Center for Latin American and Caribbean Studies (CLACS) offers a film and lecture series that will explore and celebrate its significance in the region. \nImage: Marta Minujin | by Martin Lucesole | Flickr
URL:https://csaad.nyu.edu/event/latin-americas-1968-marta-minujin/
LOCATION:Location: King Juan Carlos I of Spain Center Room 342E\, 53 Washington Square S\, New York\, NY\, 10012\, United States
ORGANIZER;CN="The Center for Latin American and Caribbean Studies (CLACS)":MAILTO:clacs@nyu.edu
GEO:40.7303742;-73.9986799
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181120T140000
DTEND;TZID=America/New_York:20181120T153000
DTSTAMP:20181116T222759Z
CREATED:20181116T222730Z
LAST-MODIFIED:20181116T222759Z
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SUMMARY:Enforced Disappearances in an Age of Emboldened Repression
DESCRIPTION:Governments are disappearing people at an alarming rate\, often in conjunction with policies carried out in the name of repressing terrorism\, organized crime\, or plain political dissent. Reports of undercover extraterritorial abductions of people in foreign countries are on the rise. The widely-reported case of disappeared Saudi journalist Jamal Khashoggi is only one example of many occurring from Mexico to the Philippines and beyond. Join us for a timely discussion on recent developments in international law and accountability with one of the independent experts charged with monitoring human rights violations and reporting to the UN Human Rights Council. \nAbout the Speaker \nBernard Duhaime serves as member and president of the UN Working Group on enforced or involuntary disappearances. He is Professor of International Law at the University of Quebec in Montreal’s Faculty of Law and Political Science and is currently a CHRGJ Visiting Scholar at NYU Law\, as a Fellow of the Pierre Trudeau Foundation (2017-2021).
URL:https://csaad.nyu.edu/event/enforced-disappearances-in-an-age-of-emboldened-repression/
LOCATION:Furman Hall\, 245 Sullivan Street\, New York\, NY\, 10012\, United States
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ORGANIZER;CN="Center Human Rights and Global Justice":MAILTO:lauren.stackpoole@nyu.edu
GEO:40.730124;-73.998924
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DTSTART;TZID=America/New_York:20181120T183000
DTEND;TZID=America/New_York:20181120T193000
DTSTAMP:20181116T224136Z
CREATED:20181116T224136Z
LAST-MODIFIED:20181116T224136Z
UID:550-1542738600-1542742200@csaad.nyu.edu
SUMMARY:Making All Black Lives Matter with Barbara Ransby
DESCRIPTION:Join author\, historian and activist Barbara Ransby as she discusses her new book “Making All Black Lives Matter: Reimagining Freedom in the Twenty-First Century.” Ransby will be in conversation with Movement for black lives activist and Blackbird co-founder\, Thenjiwe McHarris. \nAbout the book \nIn Making All Black Lives Matter\, award-winning historian and longtime activist Barbara Ransby outlines the scope and genealogy of this movement\, documenting its roots in Black feminist politics and situating it squarely in a Black radical tradition\, one that is anticapitalist\, internationalist\, and focused on some of the most marginalized members of the Black community. From the perspective of a participant-observer\, Ransby maps the movement\, profiles many of its lesser-known leaders\, measures its impact\, outlines its challenges\, and looks toward its future. \n“A powerful — and personal — account of the movement and its players.”—The Washington Post \n“This perceptive resource on radical black liberation movements in the 21st century can inform anyone wanting to better understand . . . how to make social change.”—Publishers Weekly
URL:https://csaad.nyu.edu/event/making-all-black-lives-matter-with-barbara-ransby/
LOCATION:The People’s Forum\, 320 W 37th\, New York\, 10018\, United States
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