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DTSTART;TZID=America/New_York:20181119T180000
DTEND;TZID=America/New_York:20181119T210000
DTSTAMP:20260827T034855
CREATED:20181116T221406Z
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SUMMARY:Latin America's 1968 - Marta Minuj´ín
DESCRIPTION:As part of the Latin America’s 1968 Colloquium series\, New York University’s Center for Latin American and Caribbean Studies (CLACS)\, Department of Spanish and Portuguese\, The Hemisphiric Institute of Performance and Politics\, and The Institute of Fine Arts (IFA)\, are proud to present a conversation with internationally acclaimed Argentine performance and conceptual artist Marta Minujín and IFA’s Deputy Director Edward Sullivan. \nThis event is free and open to the public. Ticket holders receive priority seating. \nAbout the speakers: \nMarta Minujín is an internationally acclaimed Argentine performance and conceptual artist whose career has helped define the role of participation\, performance\, and media in contemporary visual art. Minujín created her first “ephemeral” works in the 1960s in Paris and New York\, where she and became an innovator of pop art\, happenings\, soft sculpture\, and early video. Her celebrated La Menesunda (1965) created a sequence of 16 multi-sensory “situations” or environments for spectators to traverse; these included a beauty parlor\, a couple in bed\, and a shower of a confetti in an octagonal mirror chamber. Her 1967 Minuphone created an interactive “psychedelic” telephone booth in which voice triggered sensory changes in light\, image\, and sound. In May 1968—at the height of the cultural and political ferment of global 1968—Minujín hosted a series of soirèes/happenings with luminaries of fashion\, art\, finance\, and politics at Manhattan’s Center for Inter-American Relations (now Americas Society); the documentation became the basis of an immersive film installation\, known as Minucode\, which advanced a subtle critique of the role of “cultural” diplomacy needed to carry out the US cold war in Latin America. While in New York she participated in activities at Andy Warhol’s Factory\, and in the 1980s\, created a performance in which she offered Warhol a corn on the cob as a way of paying off Argentina’s foreign debt. She is perhaps best known for the 1983 piece The Parthenon of Books\, a large-scale replica of a Greek parthenon built on Buenos Aires’s main avenue\, comprised of 30\,000 books banned by the military regime during Argentina’s “Dirty War\,” including works by Marx\, Freud\, and Foucault. Spectators were then invited to dismantle work. She has continued to create works that combine ephemeral materials with monumental scale\, including Tower of Babel (2011)\, Agora of Peace (2013)\, and Hopscotch Art (2014). She lives and works in Buenos Aires. \nEdward J. Sullivan is the Helen Gould Sheppard Professor in the History of Art and the Deputy Director of the Institute of Fine Arts New York University. He has developed extensive research and curated several shows on the arts and visual cultures of the Americas from a transnational perspective\, with a particular concentration in Mexico\, Cuba\, Brazil\, Argentina\, Puerto Rico\, and Uruguay. Edward is the author of From San Juan to Paris and Back: Francisco Oller and Caribbean Art in the Era of Impressionism\, published by Yale University Press in 2014\, and The Language of Objects in the Art of the Americas\, published also by Yale in 2007\, among many other books and catalogs. \nSullivan’s latest book is entitled “Making the Americas Modern. Hemispheric Art 1910-1960” published this past March. He is currently curating a major exhibition of the Brazilian garden architect and painter Roberto Burle-Marx that opens in June next year at the New York Botanical Garden. His next book project concerns the relationships between artists and choreographers in the US and Latin America in the mid twentieth century. \nAbout the series: \nLatin America’s 1968; Curated by Jill Lane & Dylon Robbins. \nIn Latin America\, the year 1968 marked a turning point in the social\, political\, and cultural transformations that had been unfolding in the wide wake of the Cuban Revolution of 1959. For Latin America\, as for the rest of the world\, the sixties were shaped by geopolitics of the Cold War\, and of anti-colonial struggles across the globe. Yet they are most remembered by those who lived them as a time when ordinary people felt\, like never before and perhaps never after\, that they could change the course of history: millions of youth in student movements\, advocates for indigenous rights\, workers\, campesinos\, educators\, intellectuals\, and artists\, long with guerillas and other armed insurgents\, were self-aware in world-historical projects of radical social\, political\, economic\, and cultural change. In these years\, the personal became the political\, politics became theatrical\, theatre became a weapon\, and the lines between self\, art\, and politics were forever redrawn. To mark the 50th anniversary of this momentous year\, the Center for Latin American and Caribbean Studies (CLACS) offers a film and lecture series that will explore and celebrate its significance in the region. \nImage: Marta Minujin | by Martin Lucesole | Flickr
URL:https://csaad.nyu.edu/event/latin-americas-1968-marta-minujin/
LOCATION:Location: King Juan Carlos I of Spain Center Room 342E\, 53 Washington Square S\, New York\, NY\, 10012\, United States
ORGANIZER;CN="The Center for Latin American and Caribbean Studies (CLACS)":MAILTO:clacs@nyu.edu
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DTSTART;TZID=America/New_York:20181016T124500
DTEND;TZID=America/New_York:20181016T140000
DTSTAMP:20260827T034855
CREATED:20181008T180817Z
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SUMMARY:A CONVERSATION WITH AFRO COLOMBIAN ACTIVIST MIYELA RIASCOS
DESCRIPTION:CLACS is proud to present a conversation with Miyela Riascos moderated by Roosbelinda Cardenas\, CLACS Visiting Scholar 2018-19. This event is hosted in collaboration with Witness for Peace. \nAbout Miyela Riascos:\nThis amazing woman is a Colombian ethno-educator and anthropologist who works with various social organizations and victims’ groups in the area of territorial and human rights\, peace and environmental education\, and community organizing. She had to flee her territory 17 years ago due to the threat of armed paramilitary groups in the rural areas near Buenaventura (Anchicayá River) and knows the situation of internally displaced persons in Buenaventura from personal experience. \nMiyela is an organizer of the Buenaventura Committee for the Civil Strike to Live in Peace and Dignity. She is also a spokeswoman representative in the negotiations that were achieved with the Colombian government regarding equitable distribution of the state’s health care resources. \nMiyela is also the co-founder of the ARIBI Socio-Environmental Foundation which supports the organizing processes of local Afro-Colombian communities dedicated to the implementation of sustainable development. \n  \nAbout Roosbelinda Cardenas: \nRoosbelinda Cárdenas is a cultural anthropologist and Assistant Professor of Latin American Studies at Hampshire College in Massachusetts. Her current book project looks at Black political mobilization following the institutionalization of multicultural reforms in Colombia and the onset of armed violence on the Pacific region. More broadly\, she interested in identity and rights for Afro-descendants in Latin America and social theories of race and racism\, social movements\, place and displacement\, and human rights. \n  \nThis event is free and open to the public\, seating is limited. ID is required to access the building.
URL:https://csaad.nyu.edu/event/a-conversation-with-afro-colombian-activist-miyela-riascos/
LOCATION:Location: King Juan Carlos I of Spain Center Room 342E\, 53 Washington Square S\, New York\, NY\, 10012\, United States
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DTSTART;TZID=America/New_York:20181016T123000
DTEND;TZID=America/New_York:20181016T140000
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SUMMARY:Roundtable on Activism in Buenos Aires with Afro-Argentine Youth
DESCRIPTION:Join Agrupación Xangó as they share their experiences and challenges as young activists promoting social change in their nation.
URL:https://csaad.nyu.edu/event/roundtable-on-activism-in-buenos-aires-with-afro-argentine-youth/
LOCATION:Location: King Juan Carlos I of Spain Center Room 342E\, 53 Washington Square S\, New York\, NY\, 10012\, United States
ATTACH;FMTTYPE=application/pdf:https://csaad.nyu.edu/wp-content/uploads/2018/10/NRuizPoster.pdf
ORGANIZER;CN="Center for the Study of Africa and the African Diasproa":MAILTO:csaad@nyu.edu
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