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DTSTART;TZID=America/New_York:20231204T173000
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DTSTAMP:20260828T003201
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SUMMARY:Critics of the Oyo Empire and Atlantic Modernity in the Age of Revolution: Rethinking Black Atlantic Historiography with Archaeology and Òrìṣà Archives
DESCRIPTION:December 4th\, 2023 \n5:30 pm -7:00 pm \nSilver Center\,  Hemmerdinger Hall \nRegister here for in-person  \nAttend via Zoom here \nIn this talk\, Ogundiran will discuss the debates and dialogues that happened in the Oyo Empire (West Africa) in the eighteenth and early nineteenth centuries about rights and privileges\, marginalization and power\, and politics of difference between the metropolis and the provinces\, women and men\, and the state and society. These dialogues\, he argues\, were part of the discontentment with Early Modernity that gave birth to the Age of Revolution. However\, Africa has been mostly elided from the historiography of this revolutionary period because the modalities of Africa-centered dialogues about the early modern experience have been outside the reach of traditional historical methods. Ogundiran demonstrates the need to pay attention to the Yorùbá Òrìṣà archives and the archaeology of place in order to broaden the historiography of the Black Atlantic and the Age of Revolution. \n \nAkin Ogundiran is Cardiss Collins Professor of History and Arts & Sciences at Northwestern University and a Senior Fellow of Gardens and Landscape Studies at Dumbarton Oaks\, Washington DC. He is broadly interested in the archaeology and history of Africa over the past 2\,500 years\, with an emphasis on the Yorùbá world. His research has been supported by the National Geographic Society\, the National Endowment for the Humanities\, the National Humanities Center\, and the American Philosophical Society. He is the author/editor/co-editor of several books\, including The Yorùbá: A New History (2020)\, winner of the Vinson Sutlive Prize and Isaac Delano Prize. \nRegister here for in-person \nAttend via Zoom here\n  \nFor accommodations\, please contact the Administrative Aide for the Center for the Study of Africa and the African Diaspora at Muna.Diaf@nyu.edu by November 20th\, 2023. 
URL:https://csaad.nyu.edu/event/critics-of-the-oyo-empire-and-atlantic-modernity-in-the-age-of-revolution-rethinking-black-atlantic-historiography-with-archaeology-and-ori%e1%b9%a3a-archives/
LOCATION:NYU Silver Center\, 31 Washington Pl\, New York\, NY 10003\, New York\, NY
CATEGORIES:Africa Diaspora Forum
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DTSTART;TZID=America/New_York:20231025T170000
DTEND;TZID=America/New_York:20231025T183000
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CREATED:20230921T220032Z
LAST-MODIFIED:20231030T170941Z
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SUMMARY:When Haiti Was Our Cradle of Hope
DESCRIPTION:Event Recording here\nWednesday\, October 25th\, 2023\n\n\nTime: 5:00pm-6:30pm\n\n\nLocation: Silver Center of Arts & Science\, Hemmerdinger Hall\n\n\nFear of a Black Republic chronicles how Haiti’s triumphant ascendance created a beacon of hope for free and enslaved Black people throughout the African diaspora\, especially those fighting for freedom in the United States. Cognizant of Haiti’s centrality to the global struggle for Black liberation\, free and enslaved Black people in the U.S. waged an unyielding battle throughout the early nineteenth century to defend Haiti and its sovereignty. In so doing\, they gave birth to a new Black internationalist consciousness—one that not only demanded an end to slavery\, but also insisted on full freedom\, equality\, and sovereignty for Black people throughout the African diaspora. \n \nDr. Leslie Alexander is the Dr. Martin Luther King\, Jr. Professor of History at Rutgers University and is a Fellow at the Carr Center for Human Rights Policy at Harvard University. A specialist in early African American and African Diaspora history\, she is the author of African or American?: Black Identity and Political Activism in New York City\, 1784-1861\, and Fear of a Black Republic: Haiti and the Birth of Black Internationalism in the United States. She is also the co-editor of three additional volumes\, including Ideas in Unexpected Places: Reimagining the Boundaries of Black Intellectual History. Her current research\, which appears in The 1619 Project: A New Origin Story\, examines how surveillance of free and enslaved Black communities in the colonial and antebellum eras laid the foundation for modern-day policing. A three-time Ford Foundation fellowship recipient\, Alexander is the immediate Past President of the Association for the Study of the Worldwide African Diaspora (ASWAD) and serves on the Advisory Councils for the National Council for Black Studies\, the Journal of African American History\, Black Perspectives\, The Black Scholar\, and the Montpelier Foundation Board. \n  \nThis event is co-sponsored by the Center for Latin American and Caribbean Studies. \nEvent Recording here
URL:https://csaad.nyu.edu/event/when-haiti-was-our-cradle-of-hope/
LOCATION:NYU Silver Center\, 31 Washington Pl\, New York\, NY 10003\, New York\, NY
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DTSTART;TZID=America/New_York:20190405T180000
DTEND;TZID=America/New_York:20190405T200000
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SUMMARY:Institute of African American Affairs and Center for Black Visual Culture Presents: Billie Holiday: An Evening with Lady Day in Photos and Song
DESCRIPTION:Born April 7\, 1915\, Billie Holiday is considered one of the greatest American jazz singers of all time. Author Grayson Dantzic shares behind-the scenes anecdotes and images from his 18-year journey making his book Jerry Dantzic:Billie Holiday at Sugar Hill. Through the rediscovering of his late father Jerry Dantzic’s unseen photographs of Billie Holiday taken in 1957\, the previously known narrative changes resulting in a rediscovering of her humanity. Grayson Dantzic will be in conversation with jazz recording artist\, composer and activist Candice Hoyes as they discuss the life and legacy of the amazing and iconic Lady Day. Candice Hoyes will perform and be accompanied by pianist Jonathan Thomas. Moderated by Daniel Dawson\, NYU Gallatin professor and member of Kamoinge\, a pioneering collective of African American photographers founded in 1963. Talk to be followed by a book signing. \nTime: 6 – 8 pm\nLocation: Heights Alumni Lounge\nNYU Silver Center • 32 Waverly Place\, 1st Floor\n(between Washington Square East and Greene Street) \nPlease RSVP: nyuiaaa-cbvc-events@nyu.edu or (212) 998-IAAA (4222)\nPlease make sure to state the event name and date in your email. \n\n\n\n\n\n\n\n\n\n\n\n\n\nFollow us on social media @IAAACBVC \n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\nGrayson Dantzic is an archivist\, curator\, documentary videographer\,  musician and photographer. He is a graduate of Brandeis University and the Palmer School of Library & Information Science of Long Island University. He is the special projects archivist for the Warner Music Group Archives and the Paul Seligman Collection at the Metropolitan Opera Archives and has worked with many photographers and their collections. In 1999\, he and his mother established the Jerry Dantzic Archives. He edited and wrote text for the books Jerry Dantzic’s New York: The Fifties in Focus (Edition Stemmle\, 2002) and Jerry Dantzic: Billie Holiday at Sugar Hill (Thames & Hudson\, 2017). He has curated many photographic exhibitions\, and is co-founder and Executive Vice President of the American Photography Archives Group (APAG) since it began in 2000. Currently he is working with Smithsonian Institution Traveling Exhibition Service (SITES) on a 4-year traveling exhibition based on his father’s unseen Lady Day photographs from 1957 in Jerry Dantzic: Billie Holiday at Sugar Hill. \n  \n  \n\nCandice Hoyes is a vocalist/composer NPR distinguished as “intentional about making music that reflects the world she lives in\, as well as sounding great and grooving.” Soulful and classically trained\, her love of music began at age six as she began studying piano and eavesdropping as her grandfather spun iconic jazz vinyls that filled their home. Hoyes began formal vocal study as an undergraduate at Harvard University\, soon gracing the international stages of Carnegie Hall and Lincoln Center as an award-winning classical soloist.  In 2015\, she toured and recorded with the Jazz at Lincoln Center Orchestra under artistic director Wynton Marsalis\, before releasing her own critically-acclaimed album debut\, On A Turquoise Cloud.  Hoyes has performed with Marsalis\, Ray Angry of The Roots\, Philip Glass\, Deepak Chopra\, and Wycliffe Gordon. In 2017\, Hoyes delivered a TED Talk performance and created and led a new performance lecture series for Jazz at Lincoln Center and City University of New York. She is recording her second album\, due in 2019. \n  \n  \n\nWith his musical roots firmly planted in his gospel upbringing\, jazz pianist Jonathan Thomas brings a soulful and meaningful intent to every note he plays. Thomas earned a BFA on a full scholarship at The New School for Jazz and Contemporary Music in 2015 and began his study at The Juilliard School in 2017 for a Masters in Music. He has been student to pianists Aaron Goldberg\, Dan Nimmer\, Aaron Parks\, and Taylor Eigsti. In 2012 he was awarded The ASCAP foundation Herb Alpert Young Jazz Composer Award.  Deemed stunningly good by the New York Times\, Thomas has played in jazz festivals around the world\, opened for Benny Golson\, and has performed with Charles Toliver\, Bruce Williams\, Richie Goods\, Jazzmeia Horn\, and the Cleveland Jazz Orchestra\, among many others. He can be found at his bi-weekly residency at Smalls Jazz Club which he has hosted since 2015. \n  \n  \n  \n\nA multi-talented artist\, Daniel Dawson has worked as a photographer\, filmmaker\, curator\, arts administrator\, consultant and scholar. He has served as Curator of Photography\, Film and Video at the Studio Museum in Harlem (NYC)\, Director of Special Projects at the Caribbean Cultural Center (NYC)\,  Program Manager at the American Museum of Natural History (NYC)  and Curatorial Consultant and Director of Education at the Museum for African Art (NYC).  As a photographer\, he has shown in over 35 exhibitions. In addition he has curated more than 70 exhibitions including Harlem Heyday: The Photographs of James Van Der Zee and The Sound I Saw: The Jazz Photographs of Roy DeCarava. Professor Dawson has also been associated with many prize-winning films including Head and Heart by James Mannas and Capoeiras of Brazil by Warrington Hudlin.  He has also taught seminars on African Spirituality in the Americas at the University of Iowa\, Columbia University\, New York University and Yale University.  Professor Dawson is currently a member of Kamoinge\, a pioneering collective of African American photographers founded in 1963. \n\n\n\n\n\n\n\n\n\n\n\n\nFollow us on social media @IAAACBVC
URL:https://csaad.nyu.edu/event/institute-of-african-american-affairs-and-center-for-black-visual-culture-presents-billie-holiday-an-evening-with-lady-day-in-photos-and-song/
LOCATION:NYU Silver Center\, 31 Washington Pl\, New York\, NY 10003\, New York\, NY
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