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DTSTART;TZID=America/New_York:20200207T180000
DTEND;TZID=America/New_York:20200207T210000
DTSTAMP:20200204T215142Z
CREATED:20200204T215142Z
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SUMMARY:Black Music Future & Past
DESCRIPTION:
URL:https://csaad.nyu.edu/event/black-music-future-past/
LOCATION:The Jerry H. Labowitz Theatre for the Performing Arts\, 1 Washington Pl\,\, New York\,\, NY\, 10003
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191014T180000
DTEND;TZID=America/New_York:20191014T210000
DTSTAMP:20191010T162836Z
CREATED:20191010T162836Z
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SUMMARY:FILM SCREENING AND PANEL DISCUSSION: THE FABULOUS LIFE AND THOUGHT OF AHMAD FARDID Monday
DESCRIPTION:Oct. 14\n6:00pm-9:00pm\nJerry H. Labowitz Theatre for the Performing Arts\n1 Washington Place New York\, NY 10003
URL:https://csaad.nyu.edu/event/film-screening-and-panel-discussion-the-fabulous-life-and-thought-of-ahmad-fardid-monday/
LOCATION:The Jerry H. Labowitz Theatre for the Performing Arts\, 1 Washington Pl\,\, New York\,\, NY\, 10003
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190228T183000
DTEND;TZID=America/New_York:20190228T200000
DTSTAMP:20190226T173618Z
CREATED:20190226T173546Z
LAST-MODIFIED:20190226T173618Z
UID:721-1551378600-1551384000@csaad.nyu.edu
SUMMARY:DISTINGUISHED FACULTY LECTURE WITH HORTENSE SPILLERS
DESCRIPTION:Women and the Laws: Reading Le Code Noir\nLe Code Noir\, the body of law advanced by the government of Louis XIV in the world of 17th-century France\, is one of the first codified legal documents regarding judicial conduct toward enslaved persons in the French colonies of the New World. As slavery increasingly established an iron-clad relationship between skin color and the absence of human and civil rights\, what implications did it have for other colonial powers operating in the Atlantic context? The terrors of Le Code Noir for the bonded female and her children were determined by the dictum “partus sequitur ventrem”\, Latin for “that which is brought forth follows the womb”. The codification of hereditary racial slavery highlights the contradictions that throw into crisis our entire understanding today of the repertoire of intimacy and sentimentality. \nHortense Spillers is the Gertrude Conaway Vanderbilt chair in English at Vanderbilt University; on leave this year from her home institution\, she is serving this semester as the M.H. Abrams distinguished visiting professor in English at Cornell University where she taught from 1987 to 2006. Her essay collection\, Black\, White\, and in Color: Essays on American Literature and Culture appeared in 2003 and has been the subject of various symposiums and critiques; currently at work on two large projects\, the Idea of Black Cultureand the status of women in the revolutionary context of the 18th century\, she has recently published work in the African-American Review\, Callaloo\, and The Bloomsbury Companion to Feminist Theory; in 2017\, she launched the A-Line\, a quarterly of progressive thought and has been a recent recipient of lifetime achievement awards from Callaloo (2016)\, the Caribbean Philosophical Association (2017)\, and the Hubbell Prize for work in American Literature from the American Literature Association of MLA (2019). She lectures widely\, most recently as an international visiting fellow at the Institute for Race\, Gender\, Sexuality\, and Social Justice and the Peter Wall Institute for Advanced Study at the University of British Columbia in Vancouver. \nThis Distinguished Faculty Lecture is co-sponsored by NYU Gallatin and the Center for the Study of Africa & the African Diaspora\, the Department of Social & Cultural Analysis\, the Institute of African American Affairs & Center for Black Visual Culture\, the Center for the Study of Gender & Sexuality\, the Department of Comparative Literature\, the Department of English\, and the NYU Center for the Humanities. Presented as a part of Gallatin’s Black History Month programming. \nThis event is currently at capacity\, but please sign up for the wait list by clicking the button above. \n_______________________ \nNew York University and Gallatin provide reasonable accommodations to people living with disabilities who wish to attend events at the School. For every event\, Gallatin staff will be on hand to assist guests. Please note that the entrance at 715 Broadway is wheelchair accessible. To request accommodations\, such as a sign language interpreter\, assistive listening devices\, or large print programs\, or should you have questions regarding accessibility for an event\, please contact Gallatin’s Office of Special Events by emailing events.gallatin@nyu.edu or by calling 212-992-7766. Should you need an accommodation\, we ask that you send your request as early as possible so that we have time to fulfill your request. \n 
URL:https://csaad.nyu.edu/event/distinguished-faculty-lecture-with-hortense-spillers/
LOCATION:The Jerry H. Labowitz Theatre for the Performing Arts\, 1 Washington Pl\,\, New York\,\, NY\, 10003
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DTSTART;TZID=America/New_York:20190227T183000
DTEND;TZID=America/New_York:20190227T200000
DTSTAMP:20190226T173257Z
CREATED:20190226T173235Z
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SUMMARY:URBAN INTERSECTIONS: BLACK\, QUEER LIVES IN NEW YORK CITY
DESCRIPTION:Few calls to action have been as powerful in movement building as that of the Combahee River Collective in 1977. The collective\, composed of Black feminists who identified as and with the working-class and lesbians\, demanded an active commitment “to struggling against racial\, sexual\, heterosexual\, and class oppression\,” seeing as their “particular task the development of integrated analysis and practice based upon the fact that the major systems of oppression are interlocking.” Decades later\, this intersectional politics helped buoy the Movement for Black lives\, Black Lives Matter\, Black Youth Project 100\, and other 21st century campaigns for racial\, gender\, class\, and sexual justice. In celebration of Black History Month\, the 50th anniversary of the Stonewall Uprising\, and the boundless\, ongoing relevance of the Combahee River Collective’s message\, this event brings together key activists working at the intersections of Black and queer politics in New York City. \nPanelists:\nKiara St. James\, Co-Founder and ED of New York Trans Advocacy Group\nKleaver Cruz\, Founder\, The Black Joy Project\nJewel Cadet\, Community Organizer with Black Youth Project 100 \nModerated By: Ayasha Guerin\, New York University\, Doctoral Candidate\, SCA and Urban Democracy Lab Doctoral Fellow in Urban Practice \nNote: Our featured image is of Pauli Murray\, lawyer\, Civil Rights Activist\, Episcopal Priest\, and (briefly) New Yorker. Murray identified as a lesbian and a recent biographer described her retroactively as “transgender.” \nPresented as a part of Gallatin’s Black History Month programming. \n  \nNew York University and Gallatin provide reasonable accommodations to people living with disabilities who wish to attend events at the School. For every event\, Gallatin staff will be on hand to assist guests. Please note that the entrance at 715 Broadway is wheelchair accessible. To request accommodations\, such as a sign language interpreter\, assistive listening devices\, or large print programs\, or should you have questions regarding accessibility for an event\, please contact Gallatin’s Office of Special Events by emailing events.gallatin@nyu.edu or by calling 212-992-6328. Should you need an accommodation\, we ask that you send your request as early as possible so that we have time to fulfill your request.
URL:https://csaad.nyu.edu/event/urban-intersections-black-queer-lives-in-new-york-city/
LOCATION:The Jerry H. Labowitz Theatre for the Performing Arts\, 1 Washington Pl\,\, New York\,\, NY\, 10003
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DTSTART;TZID=America/New_York:20181113T183000
DTEND;TZID=America/New_York:20181113T200000
DTSTAMP:20181108T171912Z
CREATED:20181108T171912Z
LAST-MODIFIED:20181108T171912Z
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SUMMARY:THE THREE PATRIARCHS OF EMBATTLED LOVE: CASTE\, RELIGION AND STATE
DESCRIPTION:A talk by Meena Kandasamy\nIn this talk\, Meena Kandasamy\, Gallatin’s Global Faculty-in-Residence and author of The Gypsy Goddess (Harper\, 2014)\, discusses her site-responsive chronicle of the Dharmapuri atrocity which occurred in the South Indian state of Tamil Nadu. On one day in October 2012\, in response to the love affair between a caste-Hindu Vanniyar woman and a Dalit man\, the homes of 300 Dalit people were burned. Kandasamy reflects on the event\, explores how one bears witness to violence and the social realities of India’s caste-embattled terrain\, and considers what it means to be a politically engaged writer who seeks to unravel the specifics of caste violence in contemporary Tamil history. \nThis event is co-sponsored by SouthAsiaNYU.
URL:https://csaad.nyu.edu/event/the-three-patriarchs-of-embattled-love-caste-religion-and-state/
LOCATION:The Jerry H. Labowitz Theatre for the Performing Arts\, 1 Washington Pl\,\, New York\,\, NY\, 10003
ORGANIZER;CN="SouthAsiaNYU.":MAILTO:southasia@nyu.edu
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