Events

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King Juan Carlos Chair CRISTINA PATO | A CONVERSATION WITH CRISTINA PATO AND KENNETH S. KOSIK: An Invisible Ancestry and the Unquiet Genes of the Brain

Location: King Juan Carlos I of Spain Center 53 Washington Square S, New York, NY, United States

Venue: KJCC Auditorium // 53 Washington Square South, NYC Reception to Follow Cristina Pato is the 2019 / 2020 King Juan Carlos Chair in Spanish Culture and Civilization, NYU King Juan Carlos I of Spain Center. In this conversation, artist and educator Cristina Pato and neuroscientist Kenneth S. Kosik will talk about music, memory loss, […]

FREE

BOOK TALK: THE BAGHDAD CLOCK A Reading and Conversation with Award-Winning Iraqi Novelist Shahad Al Rawi and Translator Luke Leafgren

Hagop Kevorkian Center for Near Eastern Studies 255 Sullivan St., New York, NY, United States

Baghdad, 1991. In the midst of the first Gulf War, a young Iraqi girl huddles with her neighbors in an air raid shelter. There, she meets Nadia. The two girls quickly become best friends and together they imagine a world not torn apart by civil war, sharing their dreams, their hopes and their desires, and […]

DAY 1: FIFTH ANNUAL INDO-AMERICAN ARTS COUNCIL (IAAC) LITERARY FESTIVAL

Hagop Kevorkian Center for Near Eastern Studies 255 Sullivan St., New York, NY, United States

The fifth annual IAAC Literary Festival will take place in New York City on October 19th and 20th and will feature the work of authors from around the world, whose heritage lies in the Indian subcontinent as well as literary pieces that are inspired by India. Along with the addition of Poetry, IAAC will be expanding the Literary Festival to provide a platform for Children's Literature emanating from India […]

FREE

Africa~Diaspora Forum: Peter Hulme

Location: King Juan Carlos I of Spain Center Room 342E 53 Washington Square S, New York, NY, United States

In the 1920s in New York the jazz cabaret was seen as offering what the writer Eric Walrond called “Africa undraped”, and its sound was the tom-tom.  This talk will explore the period’s fascination with that instrument and with what it might signify, focusing on two texts entitled Tom-Tom, both of which offer to associate contemporary Harlem with “Africa”, in one or another of its manifestations.

FREE
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