Africa~Diaspora Forum: Peter Hulme
In the 1920s in New York the jazz cabaret was seen as offering what the writer Eric Walrond called “Africa undraped”, and its sound was the tom-tom. This talk will explore the period’s fascination with that instrument and with what it might signify, focusing on two texts entitled Tom-Tom, both of which offer to associate contemporary Harlem with “Africa”, in one or another of its manifestations.
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